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We sell. Our speciality is equipping institutions, halls and production houses with their own equipment — with first-setup assembly and staff training, so the stage works for years without rental costs.

We usually deliver standard stage decks and accessories within 2–4 weeks. Roof structures and larger lighting systems are made to order — the exact deadline is stated in the quote.

With the quote we provide technical specifications and the manufacturer's documentation — declarations, load-capacity data and certificates. We produce a structural calculation when the structure or venue requires it.

Yes. Send the space dimensions, purpose and desired stage height — we'll return a configuration with the number of modules, legs and accessories. If you want to try it yourself, design the stage in the planner and send the specification.

For choirs, lecterns and school shows 750 kg/m² is enough. For theatre setups and heavier scenography 1200 kg/m² or more is used, and for stages with drums, a piano and heavy equipment the reinforced series apply. If you're not sure — describe what goes on the stage and we'll suggest.

Yes, the system is modular. The same decks and legs can be bought and combined with existing ones, so the stage grows as the need grows — without replacing what you already have.

Alongside the 2×1 m and 1×1 m modules there is a 1×0.5 m half-format for edges and floor-plan adjustment. We solve most non-standard spaces with a combination of formats; for the rest, send the dimensions.

For outdoor setups and uneven terrain there is a version with an anti-slip, weather-resistant deck and telescopic legs for levelling. The standard indoor series are not intended for permanent outdoor use.

Yes — modular systems are made for exactly that. Assembly is tool-free and requires no special training: two people set up a 40 m² stage in about an hour.

Rigging requires a qualified person. We supply dual-brake motors and rigging equipment, and for the first assembly and crew training we arrange an on-site visit. Where the structure requires it, a structural calculation is also produced.

Professional show lasers are class 4 — dangerous to the eyes and skin, even from a reflection. That requires a safety-zone design, measurement at the setup location, a scanner with a fail-safe brake and a trained operator. Scanning above the audience is further restricted.

Yes. For all equipment we sell we keep spare parts and arrange servicing — from replacement stage-deck legs to servicing moving-head fixtures.